Natural Rhythms in Colour 3-day Nuno Felting Workshop

Natural Rhythms in Colour 3-day Nuno Felting Workshop

Only 5 places left!  Natural Rhythms in Colour 3-day Nuno Felting Workshop taught by colourist Nancy Ballesteros, Perth, Western Australia.  Craft House, 28-30 Sept.  Friday-Sunday 9:30-4:30. Learn how to apply simple but powerful Fibonacci design principals while creating ‘structured’ or ‘organic’ colour & design sequences. Create a  single or double Infinity wrap or scarf. For more information FB message me or email nancy@treetopscolours.com.au

Feltwest Toss N Tell June 2018

Demonstration/Mini Workshop

Sue Eslick – Fins/Flaps

Martien’s proposed demonstration on “Tunnels and Loops” was postponed, due to illness. Get well soon Martien.

We would like to thank Sue & Sara for stepping in at the last minute.  We hope Martien and all who have caught this winters bugs are on the mend and back to the felt days soon.  Sunshine and oranges can help especially as the flu can also bring the blues too, so stock up on lots of colour to keep us happy and ready to felt.

Sue & Sara delivered a very informative demonstration of how to create fins or flaps within a felted piece.

Any wool is suitable unless it’s very coarse.

Bubble wrap and freezer wrap are useful as material for resists.

There are a number of different techniques to create fins.

  1.  Straight topped fin

Layout a base in the normal way. Use some thick or thin plastic to create a resist. The size of the fin will be ½ the width of this plastic, minus a bit of shrinkage. The wool for the fin will overlap the plastic edge. If your fin is a different colour to your base layer and you don’t wish the fin’s colour to show through at the ‘root’, put more of the base layer colour over it to cover. When sufficiently felted, cut along the middle of the plastic line, and open the cut felt outwards.

 

 

 

 

 

And for the one I prepared earlier

  1. Pointy/curvy edged fin

Cut a resist to the shape required. Lay your wool out as normal. Go carefully around curved edge, laying wool beyond the edge so that you have enough length on the fibres to fold over the edge. When felting the top curvy edge do not roll it, just massage with soapy water. Don’t felt the ‘roots’. Open it out from the unfelted ‘roots’ edge, so that they are separated from each other, then felt these edges into the base layer. If desired, bury the ‘roots’ under more wool the same colour as the base layer. Keep the fin standing up or use glad wrap to prevent the top edge sticking to the base layer. Flip the fin backwards and forwards as you work to ensure that both roots are well felted.

 

 

 

 

 

Fins or flaps may be single or in rows; they may be straight, pointy or wobbly as you fancy.

 

  1. Spiral fins (by Sara Quail)

A herringbone layout would work well as a base for this technique. Very thin pre-felts are used in order to maintain flexibility. Lay the pre-felt leaf shapes on top of one another and stitch through the ‘mid-rib’ with very strong thread. Separate these ‘leaves’ with thin plastic and felt them. Swap the plastic around so that you can get at the different surfaces to felt them. When the felting process is 95% complete, shape each leaf by massaging individually to attain the spiral shape.

Toss’n’Tell

Karen Wood showed us her felt and leather messenger bag which she made at the Feltwest Leather Workshop at Hammered Leatherwork with Bec (tutor). Karen opted not to do the backpack straps and went with the messenger bag option. She is

using her bag often.

 

 

 

 

 

Jan Manning showed us the beginning of her flower meadow piece.

She was inspired by a laser cut metal flower garden she saw at Lawrence Wilson Art Gallery recently.

She is combining wool with mohair (which doesn’t felt) & beads to create a variety of flowers of different colours, shapes and textures.

 

 

Sue Eslick showed a red handbag embellished with silk fibres and machine embroidery as surface texture. The bag was made of one piece of felt. She used a combination of clear plastic tubing & smaller diameter foam tubing inside the handle to keep it firm and flexible.

 

Sue also showed a felted vessel with a resin coating on the inside (no picture). This is an idea that Sue is still experimenting with, and she would like some other members to get together with her and do further experimentation.

 

Kerry Bertucci showed a multi coloured spiky tea cosy, and a piece of spiky ‘lawn’. She has been experimenting with different techniques of getting spikey by crikey!

 

Feltwest Meeting

Led by Karen Wood

  • Leonore Fairfield has been co-opted onto the committee and will be doing the Treasurer’s role.
  • The retreat planned for June this year has been cancelled due to lack of numbers. Officially the deposit of $780 paid is non-refundable, but very kindly Muresk has given us a full refund. (They hope we will attend next year.) We need 20 participants to make it viable.
  • Membership renewals will be sent out 29 June or near. Our membership is currently at 123, with 27 already signed up for next year. Make it easy for the Treasurer by signing up early. 😊
  • Feltwest meeting July will feature merchandise from Bilby Yarns and a needle felting demonstration – don’t miss it!
  • Workshops – Martien’s July workshop (Treasure Nests) is fully booked. You may add your name to the waiting list.

Olga Finkel’s September workshop (Painted Landscapes) has approximately 10 bookings at this stage, get in now to make this a better financial proposition for Feltwest. This tutor is coming from the east coast, so costs us more money than a local tutor. NOW FULL.

All workshops have a host/assistant who provides morning tea, helps tutor set up, pack up & clean up, and assists tutor and participants. The assistant also takes photographs and writes a brief report. If you would like to assist Feltwest in this way, please contact Sue Eslick the Workshop Coordinator to add your name to the list.

The next Beginners Extension Workshop “Spikes can be fun” has had a date change from July to the first Tuesday in August (7th) 10.30-3.30 at Craft House. Tutors Kerry Bertucci & Jean MacKenzie.

  • The Wood & Craft Show will be held at Claremont Showground from Friday 3 August – Sun 5 August. Feltwest will be having a Guild Stall at this event. Jan Stroud & Jill Jodrell are organising this. A guild stall does not involve any selling, but we are hoping for good publicity and recruiting of new members. There will be felting demonstrations, and felted items will be needed for exhibition. Jan & Jill will collect items for display. Volunteers are needed for 4 hour shifts over the 3 days – Karen will be circulating a sheet, so that people can nominate their preferred time/s. Volunteers will get a free entry pass to the show.
  • Royal Show – Feltwest will be having a stall from 22-29 September. The Feltwest stall will be located in the Centenary Pavilion near the regional displays. The stall will be 6×6 sq. metres This will be selling, as well as demonstrations and publicity. EFTpos will be available for customers. Martien will be co-ordinating this event for us. We will need many members to run the stall, as it is open from 8am-9pm each day. Anyone submitting work for sale will be obliged to work 2 x 6 hour shifts. There will be 24 of these shifts. All work for sale will attract a 15% commission to the show if sold. Feltwest will charge members $25 to submit work.

July 31 official closing date for Feltwest tags.

August 18 Labels & tags will be distributed to sellers.

September 15 work to be handed in.

 

CASM – Beyond The Seam

 

 

 

 

 

 

 

 

 

 

May – Aug 2018

BEYOND THE SEAM: Conceptual works in Fibre Art

to website click here

 

FeltWEST May 2018 Meeting

 Saturday Felting 19 May, 2018.

Mini Workshop by Dale Rollerson – silk strippings and silk rods.

Dale Rollerson of The Thread Studio ran a mini-workshop/demo of silk strippings and silk rods.

They are both waste product in the process of spinning silk.

Silk strippings –  is cocoon waste that cannot be spun. It still contains the ceracin which acts as glue when liquid and heat are applied. It can be used to make silk paper and embellished with fibres, threads, guilding flakes, colour spray and even images from sheer paper serviettes. Dale demonstrated and showed various samples of her explorations with strippings including moulding, stenciling and embossing .

 

Silk rods – the waste that is cut from the spinning rods . These can be ironed open and separated and used to created or incorporate into more complex “paper” creations .

 

 

 

Dale inspired us to experiment having shown us endless possibilities and samples.

 

There was also a sales table of some of the product that she used and is available from The Thread Studio.

 

 

 

 

Meeting

Sue Eslick chaired the meeting as Karen Wood is away.

She welcomed the new members and confirmed the forthcoming workshops for July, August and September details of which are on the Feltwest website.

Martien van Zuilen’s July 6th + 7th  workshop will be about vessels, holding form and surface design. She showed some examples of her work .

 

Martien will also be running  the Mini-workshop on 16th June titled: Tunnels and Frameworks. She showed us a few samples , being a sneek peek of this exciting technique.

 

 

 

Unfortunately the Retreat has been cancelled and all members who enrolled will be re-imbursed in full.

We are going to the Royal Show – please join us.

We have been most fortunate to have been offered a sales stand ( at no charge) at the Agricultural Show in Claremont in September 22 – 29th.  All details re planning , volunteering etc to be finalised and confirmed. A sub committee has been formed.  Please start felting as we will be able to sell felted wear, check the rule with our committee, more to come.

A number of members will be participating in the Toodyay Fibre Festival on 3 June 2018, every one is welcome to come.

Mandurah is the place to be for art and creativity. Head down there at the end of the month – mid June to the Arts and  Culture Precinct where it is all happening.

 

Toss n Tell


Liz – enjoyed the challenge of bead making at Nancy’s workshop and showed her  lovely creations,

 

 

 

Peta‘s – beautiful blues.

 

 

 

 

 

 

 

 

 

 

 

 

 

Sara – showed some of the bags and scarves that she has been tirelessly working on for her stall at the upcoming Toodyay Fibre Fair.

 

 

 

 

 

 

Kerry – showed us her sample “Spikes” for the next extension workshop on Tuesday 3 July. (sorry no picture will post on website soon)

Martien – showed her work called “Standing Tall” which consists of 5 blue felted vessels that will be on display at the exhibition – Beyond the Seam” on at a gallery in Mandurah (no pictures til  officially unveiled). Thank you Martien.

 

Pat – showed her beautifully styled turquoise machine knitted jacket.

Sue Eslick – made a cheeky blue beret. A most interesting shape.

 

 

 

 

Marie is experimenting with clay to make a washboards for the palm, which will be highly glazed to be like glass.Watch this space.

 

 

 

 

Marion show us her result from Katia’s Online workshop, her view is some part require Katia in person, but great result anyway Marion.

 

 

 

 

 

 

 

Peta’s Korb’s – needle felt Bilby’s

 

 

 

 

 

 

Thanks Marion and Sara for report & photo’s.

catch you next month.

Liz

FeltWEST April 2018 Meeting

 Saturday Felting 21 April, 2018.

Mini Workshop by Nancy Ballesteros – 9 different ways to layout felt.

Nancy provided a number of charts as a visual example of the layouts, to show direction of laying.

The dots and an arrows to show the direction of laying. The denser end of the wool will be at the dot, and it will be thinning in the direction of the arrow. The next thick end will be laid approximately halfway along where the previous piece is starting to thin. This process will even it out.

 

 

 

Nancy used a paper chart with directional arrows while laying out the felt so that onlookers could see more clearly what she was doing. Obviously when doing this for a method using more than one layer, this will become obscured, so you could use a ruler as your direction guide.

Nancy used 10 grams of wool & produced a sample 40cm x 40 cm for each layout method to provide a clear comparison.

Changing your usual method of laying out can be quite challenging, as it is easy to get into a pattern of doing the same thing.

 

 

Nancy suggests splitting the wool into 8 lines length ways where it naturally divides, pulling from the middle of the length, not the end. Lay it out thinly, so that you can see through it to the bubble wrap underneath. (Australia has a reasonably mild climate, we don’t need to lay out thickly as in Canada or Russia!)

 

 

Why would we use different methods?

Different methods produce different qualities in the felt. The layout you choose will depend on what you are hoping to achieve, which is governed by what you are going to make with the felt. Does it need to drape to fit the body for example? Diagonal layouts can be really useful for draping in clothing or sculptural pieces. Methods covered were:

Horizontal:   Turn over and rotate 90 degrees between layers.

Diagonal:   If you want a really sharp edge with this method, try laying a continuous strip along the edge.

Cobweb:   Don’t pull fibres apart, keep in one piece.  Not very strong for a garment, but suitable for a scarf.

Spiral:   Good for coasters.

Radial:   Good for flowers, may not sit flat. Don’t allow the middle to get too thick.

Herringbone Chart 3:   Provides beautiful elasticity & drape

Basketweave Chart 4:   Provides beautiful stretch & drape with more stability than herringbone, with less apparent rows.

 

Running Bond Chart 6:   This avoids the “row” effect that happens with layout No 1. It will shrink more in 1 direction than the other.

Random, Chaotic :   Makes a really stable fabric, good for 3D forms. Aim for uniformity of thickness to maintain even shrinkage.

Regardless of the layout method used, Nancy suggests : If using a dryer to assist with the felting process, use it on the cold setting, wrap the felt piece in a towel, tied up, and sealed in plastic. The dryer is for friction, not heat. In order to achieve a very strong felt (in spite of fineness), allowing the wool to dry and re-wetting it and fulling it again, sometimes 2 or 3 times can be useful.

Toss N Tell

 

 

Peta showed her completed satchel from the leather workshop, and her work from Lieko’s workshop the Shell and the Cucumber layouts.

 

 

 

 

 

 

 

Sue also bought along her satchel completed at the leather workshop

 

 

 

 

 

 

 

 

Stacy has been doing an online workshop and has produced a number of beautiful pieces of clothing.

Feltwest March 2018 Meeting

Mini workshop

“Fantasy flowers by Sara Quail was the theme for our mini – workshop at the March meeting. With around 40 members in attendance, she demonstrated how to create a variety of flower shapes using a small round resist and directional fulling techniques.  Sara showed us ways to layout the wool and how to add colour to the inside, the surface of the flower and the calyx. Once felted to a firm prefelt, the resist is removed and basic shaping is achieved by fulling in the direction that shrinkage is required. Limited only by one’s imagination, the petals can then be further manipulated to change their shape, direction and position.

After creating enthusiastically for barely an hour, members had produced an enormous variety of flowers. Sara then showed us how to attach these to a twig as well as other creative variations using the same basic technique. After a lunch-break and meeting notices, the hall continued to bloom well into the afternoon! “

Toss and Tell

Sara showed a number of pieces that she had made at Katia ‘s workshop. One of these had the fibres laid in such a way that the felt sample could stretch.

 

 

 

 

Another was the trademark scallop shells that Katia showed at the Artist talk.

 

 

 

 

 

A third piece also shows ‘corded’ work, that demonstrated remarkable texture. (Cucumber method)

 

 

 

 

Judith showed a wrap that she had made at Katia’s workshop .Unlike Sara’s pieces, it had fabric visible on the ends, which gave a very different effect, in spite of using some very similar techniques.

 

Liz showed a number of glasses cases that she had started at the “Beginners’ Extension” workshop run by Kerry Bertucci with Jean McKenzie assisting at Tuesday afternoon felting. It was interesting to see the different results in these items depending on how much wool was laid down, and the direction in which it was laid. This made it a really good idea for the workshop.  Liz did another one where she added cotton lawn to the wool for a really different look.

 

Carol showed us a pair of ‘croc socks’ or slippers that she had made after being inspired by attending workshops at Feltwest. She had also made some cacti and some monsters, and has been making monsters with her class of primary school students. Perhaps these children are our future members at Feltwest?

 

 

Susan modeled a scarf she made at home, after being inspired by a Feltwest workshop. These workshops seem to be inspiring lots of our members.

 

 

 

 

Stacey has been really busy doing some online workshops, and has produced two very light and fluid waistcoats that used silk and bamboo fibre as well as wool.

 

 

She also made two large poncho style wraps in monochromatic colour schemes that look really effective.

Stacey has also produced a collar style scarf that will have a button or similar as a closure when it is completed.

 

 

 

Katrina informed us about her upcoming exhibition and workshop at Ellenbrook. Please see Billboard for more information soon.

 

 

 

 

 

Sue showed us her felted cord necklace and explained that she used chain inside to help weight it down. Sometimes these necklaces are too light, and don’t sit well against the body. Sue cautioned that you can’t put the chain inside at the beginning of the felting process, it needs to be done towards the end to work successfully.

 

 

 

Notes

We all had a thoroughly enjoyable day, make sure you join us next time, 21 April 2018 Saturday.  We will be learning about the how’s and why’s of laying wool differently, in this mini workshop by Nancy Ballesteros.

Feltwest have also asked Nancy to also provide a popup shop with wool and silk to purchase.

Happy Felting

kind regards

Liz

IN FOCUS – Midland Junction Arts Centre

 

MJAC  opening of

IN FOCUS

Presented by DADAA

4.30 – 6PM, THURSDAY 5 APRIL 2018
MIDLAND JUNCTION ARTS CENTRE

SUPPORTED BY THE CITY OF SWAN, DEPARTMENT OF COMMUNITIES AND DISABILITY SERVICES, HOME AND COMMUNITY CARE

For the past decade, the annual In Focus exhibition at Midland Junction Arts Centre has featured artists from DADAA workshops connected to its Midland hub. This is an inclusive exhibition where the artists select one of their best artworks to present. The exhibition is curated by the artists with the support of DADAA staff.

Each year varies in feature or theme, different events, workshops and performances. There are usually 100 to 150 participating artists, attracting hundreds of visitors. For many artists, this is their major exhibition of the year where they invite friends, family, supporters and collectors to celebrate their artistic success.

MORE INFO >

RSVP ESSENTIAL | INFO@MUNDARINGARTSCENTRE.COM.AU > or 08 9250 8062

VIEWING TIMES | 6 APR – 20 APR 2018 | WED – FRI 10AM – 5PM

PUBLIC PROGRAM

Wed 18 Apr | 11am-2pm | FREE Specimen Jars Workshop for 7-12yr with Lex Randolph | BOOK NOW > 
Fri 20 Apr | 11am-2pm | FREE Shibori Dying for Adults with Dimity Gregson | BOOK NOW > 

Image: Declan White, Crocodile, Coloured Pencil on Paper, 2017, 29cm x 45cm